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On Elm Street, Nancy Thompson (Langenkamp) and a group of her friends including Tina Gray (Wyss), Rod Lane (Garcia) and Glen Lantz (Depp) are being tormented by a clawed killer in their dreams named Freddy Krueger (Englund). Nancy must think quickly, as Freddy tries to pick off his victims one by one. When he has you in your sleep, who is there to save you?

A descent into Hell is triggered when “Ex-Lord” Donald Brocklebank finds that he must leave Longleigh House for London to find a way to pay for the medical treatments for his wife Nancy. Alone, his over-protected, delusional, adult son, James, fancies himself in charge of the manor house with his terminally ill mother, and barricades the two of them into the house for a series of ever more panicked home treatments, mistakenly protecting her from the arrival of Nurse Mary and any outside help.

Film adaptation of street tough Jim Carroll’s epistle about his kaleidoscopic free fall into the harrowing world of drug addiction. As a member of a seemingly unbeatable high school basketball squad, Jim’s life centers around the basketball court and the court becomes a metaphor for the world in his mind. A best friend who is dying of leukemia, a coach (”Swifty”) who takes unacceptable liberties with the boys on his team, teenage sexual angst, and an unhealthy appetite for heroin — all of these begin to encroach on young Jim’s dream of becoming a basketball star. Soon, the dark streets of New York become a refuge from his mother’s mounting concern for her son. He can’t go home and his only escape from the reality of the streets is heroin for which he steals, robs and prostitutes himself. Only with the help of Reggie, an older neighborhood friend with whom Jim “picked up a game” now and then, is he able to begin the long journey back to sanity.

In 1989, Nino Brown, a small time drug dealer, is convinced by one of his fellow thugs that the wave of the future is in the cocaine derivative, crack. Brown sees potential in crack and sets out to establish himself as chief kingpin by killing off his rivals and even going as far as to take over a whole apartment complex. Out to stop him are undercover cops Scottie Appleton and Nick Paretti. Appleton especially wants to get Nino because of the fact that he murdered Scottie’s mother as part of a gang initiaton. Also involved is Pookie, a former crackhead who wants to bring down Nino as well.

Helen Lyle (Virginia Madsen) is writing a paper on urban legends when she hears about the Candyman (Tony Todd), who was once an ex-slave-turned-artist name Daniel Robitaille, who had an affair his client’s daughter. Robitaille’s right hand was sawn off, he was covered in honey, and stung to death by bees. If anyone says the word “Candyman” five times in a mirror, he’ll appear behind that person, a bloody hook as a replacement for his hand, and kill him. A series of unsolved murders is happening in the Cabrini Green projects and Helen is using this to help with her paper. The residents say the Candyman is to blame, but Helen doesn’t believe it. Until she meets the man with a hook for a hand. Now, he’s begun to murder her friends and no one believes her. Can Helen clear her name and stop the Canydman from killing anyone else?

Not all Christmas stories are full of cheer - take the disturbing childhood of Billy Lenz, for example. Born during Christmas, little Billy Lenz suffered from Jaundice because of a liver defect, and was unwanted by his cruel mother (who only saw the husband she’d come to despise when she looked at her son). While she let her true feelings be known to him with beatings and abuse, only his father showed him compassion like a parent should. But on Christmas Eve in 1975, his unfaithful mother gave him one of the most cruelest gifts of all, as she made five-year-old Billy observe his beloved father’s brutal murder at her own hands and those of her lover with a claw hammer. Before burying him under the house, she locked Billy in the attic for good, to hold his silence of what he’d witnessed that night. His only contact from then on was when she came to punish him for making a noise or other such trivial nuisances, while she was with her lover and starting a “new” family. As Billy’s mother fell pregnant with a daughter and treated her with love, which Billy had never experienced with his mother, Billy came out of the attic on Christmas Eve 1991, taking a rolling pin to his mother’s head, and a pointed tree ornament to her lovers eye before leaving his sister as disfigured as he was by blinding her. Before he could finish the job police forced there way in and dragged him off to mental institution and his sister a foster home, whose eye sight was saved in one eye… but not the other. Cut to the present where a security guard has been monitoring Billy’s progress since he came into his care, back in 1991. Knowing full well that during this time for fifteen years, Billy has made a break from this asylum, but never succeeding… until now. Far away, his childhood home is now a sorority house, where nine sisters and their house-mother are celebrating the holiday season together …but tonight they’re about to get a surprise visitor… and it’s not Santa.

Max runs a TV channel, and is looking for new material to show…he discovers - Videodrome. His girlfriend, Nicki Brand, goes to audition for Videodrome, and Max gets drawn into the underlying plot which uses Videodrome as its front.

For many years now, at Bill and Ted University of the future, the people of the world have been excellent to each other. But fed-up with Bill and Ted’s peaceful world and even more fed up with heavy metal, Chuck De Nomolos decides to do something about it. De Nomolos creates cyborg versions of Bill and Ted, who travel back to 1990 with orders to kill the human versions of Bill and Ted, win the Battle of the Bands, and pave the way for De Nomolos to take over the future. In 1990, Bill and Ted are sent to hell by the cyborgs. Cyborg Bill and cyborg Ted make time with the real Bill and Ted’s girlfriends Joanna and Elizabeth and prepare to take the human Bill and Ted’s place in the Battle of the Bands. With the help of their friend Rufus, the human Bill and Ted are forced to find a way out of hell, deal with the Grim Reaper, and talk to God himself, in their mission to get to the Battle of the Bands and stop the two cyborgs.

While pursuing a suspect one night, Chicago Police officer Sharon Pogue (Jennifer Lopez) nearly becomes the victim of a fatal ambush until a mysterious stranger, Catch (Jim Caviezel) intervenes, disarms the assassin and saves Sharon’s life. Is it a stroke of luck? A twist of fate? Or just a concerned citizen who happened to pass by at the right time and wasn’t afraid to get involved? Maybe, But Sharon and Catch have met once before. As the two fall in love, they discover the truth about each other and are forced to deal with the secrets from their past.

When best friends Bill S. Preston and Ted “Theodore” Logan are in danger of being seperated and having their band, Wyld Stalyns broken up because they’re failing history, a time traveler from the future gives them a telephone booth so they can travel through time and ace their history report.