John “Scottie” Ferguson is a retired San Francisco police detective who suffers from acrophobia and Madeleine is the lady who leads him to high places. A wealthy shipbuilder who is an acquaintance from college days approaches Scottie and asks him to follow his beautiful wife, Madeleine. He fears she is going insane, maybe even contemplating suicide, because she believes she is possessed by a dead ancestor. Scottie is skeptical, but agrees after he sees the beautiful Madeleine.

A psychiatrist, Martin Dysart, investigates the savage blinding of six horses with a metal spike in a stable in Hampshire, England. The atrocity was committed by an unassuming seventeen-year-old stable boy named Alan Strang, the only son of an opinionated but inwardly-timid father and a genteel, religious mother. As Dysart exposes the truths behind the boy’s demons, he finds himself face-to-face with his own.

There are five new tales of horror and suspense in this follow-up to George A. Romero & Stephen King’s 1982 horror anthology classic. In “Alice”, a snotty teenage girl gets her just desserts in the form of a demonic universal television remote. In “The Radio”, a security guard is driven to the very brink of madness and eventually murder thanks to a possessed radio. Next up, in “Call Girl” a murdering, cold-blooded prostitute accidentally hooks up with a vampire client. In “The Professor’s Wife”, a demented professor with a taste for pranks tricks his two best students into believing he’s getting married. But there’s something rather sinister about his new bride-to-be. Lastly, in “Haunted Dog”, a cruel miserly doctor kills a homeless man by purposely giving him a contaminated hotdog – a tale of savage revenge from beyond the grave.

The life of Edward D. Wood,Jr, hailed as the worst director (of ‘Plan 9 From Outer Space’, ‘Glen or Glenda?’ and ‘Bride of the Monster’) of all time.

Deuce Bigelow (Rob Schneider) goes to Amsterdam after a little accident including two irritating kids and a bunch of aggressive dolphins. There he meets up with his old friend TJ Hicks (Eddie Griffin). But a mysterious killer starts killing some of Amsterdams finest gigolos and TJ is mistaken for the extremely gay murderer. Deuce must enter the gigolo industry again to find the real murderer and clear TJs name.

Miles Massey, a prominent Los Angeles divorce attorney has everything—and in some cases, two of everything. Despite his impressive client list, a formidable win record, the respect of his peers and an ironclad contract (the Massey pre-nup) named after him, he’s reached a crossroads in his life. Sated on success, boredom has set in and he’s looking for new challenges. All that changes when Miles meets his match in the devastating Marylin Rexroth. Marylin is the soon-to-be ex-wife of his client Rex Rexroth, a wealthy real estate developer and habitual philanderer. With the help of hard charging private investigator Gus Petch, she has Rex nailed and is looking forward to the financial independence a successful divorce will bring. But thanks to Miles’ considerable skills, she ends up with nothing. Not to be outdone, Marylin schemes to get even and as part of her plan, quickly marries oil tycoon Howard Doyle. Miles and his unflappable associate, Wrigley, unwittingly dig themselves in deeper and deeper as they go head-to-head with Marylin. Underhanded tactics, deceptions and an undeniable attraction escalate as Marylin and Miles square off in this classic battle of the sexes.

Christian, a young wannabe Bohemian poet living in 1899 Paris, defies his father by joining the colorfully diverse clique inhabiting the dark, fantastical underworld of Paris’ now legendary Moulin Rouge. In this seedy but glamorous haven of sex, drugs and newly-discovered electricity, the poet-innocent finds himself plunged into a passionate but ultimately tragic love affair with Satine, the club’s highest paid star and the city’s most famous courtesan. Their romance is played out against the infamous club – a meeting place of high life and low, where slumming aristocrats and the fashionably rich mingled with workers, artists, Bohemians, actresses and courtesans.

A man returns to his home town after being away and discovers a severed human ear in a field. Not satisfied with the police’s pace, he and the police detective’s daughter carry out their own investigation. The object of his investigation turns out to be a beautiful and mysterious woman involved with a violent and perversely evil man.

Since a road accident left him with serious facial and bodily scarring, a former ‘TV scientist’ has become obsessed by the marriage of motor car technology with what he sees as the ‘raw sexuality’ of car-crash victims. The scientist, along with a crash victim he has recently befriended, sets about performing a series of sexual acts in a variety of motor vehicles, either with other crash victims or with prostitutes who they contort into the shape of trapped-corpses. Ultimately, the scientist craves a suicidal union of blood, semen and engine coolant, a union with which he becomes dangerously obsessed.