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The Hoover family is the dictionary definition for the word “dysfunctional”. The dad Richard is a man who gives lectures on winners and losers, the wife is Sheryl, a chain-smoking, frazzled wife and working mother whose idea of a home cooked meal frequently consists of a bucket of chicken. Her gay brother Frank recently attempted suicide. The grandpa is Edwin, a drug addict. The son is Dwayne a rebel who has vowed not to talk until he gets into the Air Force. And then there is Olive, a seven-year old girl who dreams of going to the Little Miss Sunshine pageant. So what happens when they do?

Ricardo Tubbs (Jamie Foxx) is urbane and dead smart. He lives with Bronx-born Intel analyst Trudy (Naomie Harris), as they work undercover transporting drug loads into South Florida to identify a group responsible for three murders. Sonny Crockett (Colin Farrell) [to the untrained eye, his presentation may seem unorthodox, but procedurally, he is sound] is charismatic and flirtatious until - while undercover working with the supplier of the South Florida group - he gets romantically entangled with Isabella (Gong Li), the Chinese-Cuban wife of an arms and drugs trafficker. The best undercover identity is oneself with the volume turned up and restraint unplugged. The intensity of the case pushes Crockett and Tubbs out onto the edge where identity and fabrication become blurred, where cop and player become one - especially for Crockett in his romance with Isabella and for Tubbs in the provocation of an assault on those he loves.

After landing in the wrong place at the wrong time, Slevin (Josh Hartnett) must kill The Rabbi’s (Ben Kingsley) to scratch a $96,000 debt to The Boss (Morgan Freeman) and pay off $33,000 to The Rabbi. He can’t go to the police and he can’t leave the city. On top of all this, behind the scene’s Mr. Smith aka Mr. Goodkat (Bruce Willis) is secretly plotting to kill Slevin.

Scott Turner has 3 days left in the local police department before he moves to a bigger city to get some “real” cases, not just misdemeanors. Then Amos Reed is murdered, and Scott Turner sets himself on the case. The closest thing to a witness in the case is Amos Reed’s dog, Hooch, which Scott Turner has to take care of if it’s going to avoid being “put to sleep”.

A year after their first adventure in Narnia, Peter, Susan, Edmund, and Lucy are pulled back in by Susan’s magic horn. They find that hundreds of years have passed, and Narnia is now ruled by the bloodthirsty General Miraz, uncle to the true heir, Prince Caspian, now in exile. Now the children must find Caspian and help him depose Miraz…but how will they get home after it’s done?

Brendan Behan, a sixteen year-old republican, is going on a bombing mission from Ireland to Liverpool during the second world war. His mission is thwarted when he is apprehended, charged and imprisoned in Borstal, a reform institution for young offenders in East Anglia, England. At Borstal, Brendan is forced to live face-to-face with those he perceived as “the enemy,” a confrontation that reveals a deep inner conflict in the young Brendan and forces a self-examination that is both traumatic and revealing. Events take an unexpected turn and Brendan is thrown into a complete spin. In the emotional vortex, he finally faces up to the truth.

Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world’s most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.

Right after taking out Ra’s Al Ghul’s plan and the mysterious disappearance of Dr. Jonathan Crane AKA Scarecrow, Batman continues his seemingly-endless effort to bring justice to Gotham’s crime and corrupt with the help of Lt. James Gordon and new appointed District Attorney Harvey Dent. But this time, The Dark Knight faces a rising psychopathic criminal called The Joker, who’s eerie grin makes him more dangerous than what he has yet to unleash. It becomes an agenda to both enemies that only one of them remains and are willing to break every part of what they believe in to stop the other.

A raw, powerful story of two young men, a Wyoming ranch hand and a rodeo cowboy, who meet in the summer of 1963 sheepherding in the harsh, high grasslands of contemporary Wyoming and form an unorthodox yet life-long bond—by turns ecstatic, bitter and conflicted.